Feb 25 2010

Creativity, Trained Through The Senses

by Lisa A. Riley

Have you stopped to notice how we have conditioned ourselves through our senses? Repeated connections to smells, sounds and our surroundings slowly train our brain to respond automatically. It could be the aroma of coffee in the morning that prompts the mind to begin to awaken. Or a song on our iPod that gears us up for working out. It could be the way the ambient light softens our mood in a candle lit room. What we often take for granted, slowly become triggers. In the same way, our senses can also become a vehicle to arouse creativity. Because many creative individuals posses an attuned sensitivity to their environment and experiences, this can be an effective tool to utilize for creative productivity. Read Full Article

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Feb 14 2010

A Day to Fall In Love with Your Art All Over Again

by Lisa Riley

It’s as if Valentines Day is treated like the Sabbath. Using that day out of the year to make good with our loved one. It’s an attempt to make up for those weeks or months when we weren’t so attentive or fell short of expectations. It’s the one day we have permission to find ways to reconcile. So we grasp at the bouquet of roses with the cellophane heart shape balloons and fight for the reservation at the hot restaurant in town. All in hopes of reconnecting with our partner and just maybe fall in love all over again.

Then this morning I thought of a different perspective around this holiday. What a perfect day to reconnect with ourselves and most importantly reconnect with our most beloved art. Maybe it’s been months since you’ve picked up the paintbrush or revisited the unfinished poem or half done sculpture.  It’s a day to spend reflecting on the reasons you fell in love with that particular art to begin with, similar to reminiscing about a first date. Carving out some time to do what you love allows the exchange of giving and receiving. It nurtures the heart of your soul. To express one self creatively is expressing a love and appreciation to your true gifts. So spend some time on this day to honor your original love by honoring the essence of your creative soul.

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Feb 12 2010

Creativity & Intellectual Giftedness Self-Test

Mary Rocamora is known for her extensive knowledge and experience counseling gifted and talented adults. She founded The Rocamora School, Inc. in 1984, where she offers programs she customized to help gifted adults optimize their abilities. She has developed workbooks to assist the gifted individual in developing a better self-awareness of themselves and the beliefs that hinder their full gifted potential.

Mary developed a self-test that would help to determine if you are creatively and intellectually gifted. Click on the link below to take the test.

Creativity & Intellectual Giftedness Self-Test

For more information on Mary Rocamora visit Rocamora.org

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Feb 8 2010

Creative Problem Solving Process

Based on the work of Alex Osborn, co-founder of world renown advertising agency, BBDO and Sidney Parnes, co-founder of the International Center for Studies, the creative process could be broken down into a series of steps. They developed a form of problem solving called the Creative Problem Solving (CPS) Model. It was a technique developed not only to reframe the problem, but to also shift one’s mental state in order to cultivate a more innovative solution. Part of the process was to increase the quantity of possible solutions in hopes that one or two would be a unique way of approaching the problem.

Below are the six steps developed by Osborn and Parnes:

  1. Objective Finding
    What is the goal, wish, or challenge upon which you want to work?
  2. Fact Finding
    What’s the situation or background?
    What are all the facts, questions, data, feelings that are involved
  3. Problem Finding
    What is the problem that really needs to be focuses on?
    What is the concern that really needs to be addressed?
  4. Idea Finding
    What are all the possible solutions for how to solve the problem?
  5. Solution Finding
    How can you strengthen the solution?
    Whow can you select the solutions to know which one will work best?
  6. Acceptance Finding – What are all the action steps that need to take place in order to implement your solution?

It was believed that if the CPS process were practiced over time, it would begin to become second nature in one’s own way of thinking and working when it came to problem solving.

For more information on the Creative Problem Solving Process visit Creative Education Foundation

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Oct 15 2009

Pressure to Create

“Curving back upon my own nature, I create again and again.”- Bhagavad-Gita

In the gifted person the calling to create can frequently be a relentless yearning. Innate characteristics of the gifted individuals such as seeking a deeper meaning and purpose; immense satisfaction in problem solving; constant curiosity and viewing a creative task from different perspectives, naturally urges them towards creativity. It’s as if all these traits merge together and become a compelling force from within to seek out creative challenges. In Mary-Elaine Jacobsen’s book, The Gifted Adult, she best describes this drive as never really ceasing, but instead oscillates in intensity, always to return.

“Everyday Geniuses’ need to create the best that they are capable of is not something that goes away with time. It’s not something we can excise, or a job from which we can expect to happily retire. To be sure, the intensity of creative pressure does ebb and flow, but like the tide, it always comes back. Unless we are extraordinarily hindered, sooner or later we must comply with the creative spirit’s urgings, because it is more persevering than any attempt by our thinking mind to ignore our gifts. Living everyday with the need to create is like sharing a room with a hyperactive little brother who elbows you, tugs at your shirtsleeve, and tweaks your ear repeatedly until you give him your undivided attention.”

Perhaps what fuels this drive is the tremendous satisfaction, the gifted person experiences during and after the creative process. Resulting in a release of such overwhelming pressure to utilize their talents and skills. Annemarie Roeper, founder of Roeper School of the Gifted and the Roeper Review, best describes this aspect as a “feeling of aliveness.”

“Gifted adults may be overwhelmed by the pressure of their own creativity. The gifted derive enormous satisfaction from the creative process….the whole process is accompanied by a feeling of aliveness, of power, of capability of enormous relief and of transcendence of the limits of our own body and soul. The ‘unique self’ flows into the world outside. It is like giving birth. Creative expression derives directly from the unique Self of the creator, and its activation brings inherent feelings of happiness and aliveness, even though they may be accompanied by less positive emotions, such as sadness, fear and pain.”— Gifted Adults: Their Characteristics and Emotions (Advance Development, 3)

She also touches on what can happen if the gifted person is suppressed or hindered from releasing such creative energy. “Just as the creative process creates a feeling of happiness, the greatest unhappiness can occur if it is interfered with or not allowed to happen. In that case the inner pressure cannot be released.”

It is common for the gifted person to suppress his or her own curiosities and creative urges as an attempt to avoid being perceived as odd or different. However doing so, can bring about a deep dissatisfaction in one’s life. Instead the gifted person should honor and embrace such natural forces and channel them in ways that will express his or her creative potential.

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Feb 9 2009

Characteristics of the Gifted Individual

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“Every gift contains a danger. Whatever gift we have we are compelled to express. And if the expression of that gift is blocked, distorted, or merely allowed to languish, then the gift turns against us, and we suffer.”
— L. Johnson

In the previous Blog entry I briefly mentioned some of the general traits of being Gifted. To further expand, the characteristics are usually broken down into six categories: General Intellectual Ability, Specific Academic Ability, Creative Ability, Leadership Ability, Affective/Social-Emotional Characteristics and Psychomotor Characteristics. Again keeping in mind that the Gifted person doesn’t have to display all of these traits to be considered Gifted.

The following information came from Duke University Talent Identification Program.

General Intellectual Ability

  • Shows an intense interest and curiosity in a variety of subjects. As a result, has a tendency to question everything and seek in depth information about the specific area of interest.
  • Has an extensive vocabulary when speaking and articulates well verbally.
  • Avid reader and may have started reading at an early stage.
  • Processes information differently and at a rapid rate, therefore able to learn quickly.
  • Keen ability to problem solve through logical thinking, integrating ideas from subjects and able to understand and grasp meaning of abstract concepts.
  • Shows ability for focused concentration. Highly observant and perceptive.
  • Specific Academic Ability

  • Displays unusual capacity to absorb large quantities of information as well as able to retain the information.
  • Comprehension abilities are at advanced levels.
  • Highly competent working with numbers.
  • Intense and persistent around working towards goals
  • Shows a long attention span, especially on a topic of intense interest
  • Creative Ability

  • Displays ability for adaptable and flexible processing during problem solving.
  • Ability to postpone final solution or product until completely processed.
  • Enjoys challenges.
  • Has a vivid imagination and able to come up with original ideas and clever solutions.
  • Shows innovation in written, oral or artistic expression.
  • Displays independent thinking.
  • Sharp and clever sense of humor
  • Has a sense of adventure and doesn’t mind taking risks.
  • A predisposition for individuality and nonconforming
  • Leadership Ability

  • Is able to access and evaluate not only self, but others.
  • Tendency towards perfectionism and holds high expectations for self and others.
  • Easily self critical.
  • Advanced ability to understand and interpret social problems both cognitively and emotionally.
  • Displays a degree of self-confidence.
  • Very Responsible and dependable.
  • Ability to work well in a team environment, but also tends to take on the leader role.
  • Is free to express opinions and is comfortable questioning authority.
  • Affective/Social-Emotional Characteristics

  • Can become easily overwhelmed emotionally.
  • Sensitive to feelings and expectations of others.
  • Highly self aware.
  • Tends towards idealism with social concerns such as fairness and justice.
  • Contains a depth and intensity when it comes to emotions and compassion.
  • Highly values following through principles with person actions.
  • Has a strong sensitivity and conviction around moral judgment.
  • Values ongoing self-actualization.
  • Psychomotor Characteristics

  • Due to a heightened sense of awareness has a tendency to take in large amounts of environmental stimulation.
  • Tendency towards Asynchronous (physical and intellectual development does not occur simultaneously).
  • Tends to be highly energetic.
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    Jan 30 2009

    Giftedness

    The more I learn about Giftedness, the more I have discovered an overlap amongst the creative, highly sensitive personality and giftedness. It appears the characteristics and traits run side by side. Inspired by the information I’m discovering, I’m beginning a series focused on Giftedness. I will explore such aspects as What is Giftedness, the different characteristics of being Gifted, the emotional challenges, misconceptions and so on.

    What is Giftedness? Although many specialists have attempted to define Giftedness, due to conflicting definitions, there is still much confusion. One of the causes for the confusion is that Giftedness doesn’t always appear in a single skill, but can show up in a multitude of talents as well as emotional characteristics. Giftedness was once measured by academic achievement or extreme intelligence. However, traits such as highly empathetic, very observant, creative, highly curious and even underachieving are also part of the gifted person.

    Stated in the 1972 Marland Report to Congress, gifted individuals display high performance in areas such as general intellectual ability, specific academic aptitude, creative or productive thinking, leadership ability, visual or performing arts and psychomotor ability. Giftedness doesn’t necessarily appear in all of theses areas, but can appear either in one or multiple of areas.

    Joseph S. Renzulli, an Educational Psychologist, viewed the gifted as individuals who are capable of combining all three characteristics of above-average abilities, discipline or motivation, and extreme creativity and applying them to any area of human performance (1986).

    Some of the basic gifted traits can be described as the following:

    Highly motivated
    Perfectionism
    Sharp sense of humor
    Highly sensitive and empathetic
    Imaginative
    Problem solving abilities
    Very perceptive/observant
    Intense interest
    Insightful
    Understands abstract concepts
    Creative
    Superior reasoning abilities
    Highly curious
    Unusual long-term memory
    Contemplative
    Learns rapidly
    Overwhelmed easily by interests/abilities</em

    If you think you might be gifted, you can run through the Gifted Self-Test found on Rocamora School’s website.

    Other links:
    NSGT (National Society of Gifted & Talented)
    SENG (Supporting Emotional Needs of the Gifted)
    Gifted Adults
    NAGC (National Association for Gifted Children)
    Gifted 101

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    Jan 24 2009

    A Journey Without A Destination

    roadunknown

    Like getting in the car bound on an adventure, without a known destination, but to discover where the road might take you, do you yield to spontaneity? Are you one who comfortably dances with the mysterious, or do you become anxious by the unknown? How often does the artist approach the creation of an art piece with a distinct road map leading to the end product? Does a composer launch a piece of music with the finished result clearly calculated, knowing exactly how it will play out? Are the characters in a screenplay already evolved before the first act is written? Or in contrast, is it liberating to surrender to the natural creative process and allow alchemy to unfold?

    Although we understand that the creative process doesn’t always operate with a blue print, it is tempting to grasp onto something concrete and secure in hopes of guarantying success. However, part of the beauty and thrill of the creative process is that it can have a life of its own and its destination refuses to be charted. Pre-planning and having expectations hinders our instincts and can prevent us from going down an unforeseen path; a path that might just uncover originality.

    I have known artists and writers who played it safe by starting out with a sealed proof plan for their project, hoping this would avoid disaster. They go through great lengths to ensure the out come by over planning, over thinking and over researching. I don’t believe creativity can always been contained within the safe confines of a detailed map. Sometimes the most novel creations blossom within a loosely planned idea. When the artist allows him or her self to take risks and face the possibility of failure this opens the channels for one’s unique style to come through.

    It is easy to become addicted to affirming ones talents and value as an artist by seeking guaranteed success. It requires practice, letting go of the seduction of predictability and the familiar. When you relinquish control, trust your intuition and allow the mystery of the creative process to guide you towards the splendor of the unknown, what can occur might be more than you had even imagined. So why not give it a try.

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    Jan 14 2009

    Continue to Evolve

    evolveby Lisa A. Riley

    I don’t believe we ever reach the finish line and suddenly arrive at our full creative potential. Instead, we are in constant transformation, growing and expanding. When we expose ourselves to new things, either a new form of art, visiting a different country or learning about a whole new subject matter, we stretch beyond the boundaries of what is familiar. When we venture out of our comfort zone, we provide the creative soul fresh nourishment for new ideas and perspectives. This gives us the opportunity to redefine ourselves as artists, shedding what is no longer useful and meaningful and trying on what’s new and inspiring. As a result, the creative self keeps growing and progressing in ways that are surprising, in which alchemy can take place.

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    Dec 16 2008

    The Gift of Divine Discontent

    by Lisa A. Riley

    “Discover your own discontent, and be grateful, for without divine discontent there would be no creative force.”– Deepak Chopra

    holding

    We all suffer to some degree of a chronic, low-grade discontent. So, we seek out the next goal to achieve, a new relationship, a new job, perhaps the next rush of adrenaline or the next “something else” that will bring fulfillment to our lives. The very thing we need to rid us of this unceasing desire and bring contentment. We even chant to ourselves a silent mantra, “When I get there, I can relax, enjoy life and then I will be happy.” Yet when we get there or obtain the object of our desire it only seems to temporarily quiet the hungry voice and before we know it, the gnawing starts up again.

    In our eyes, such a recurring yearn can easily be interpret as a deficiency in our life or lack in our character that needs to be remedied. When we interpret feelings of dissatisfaction in a negative light and succumb to the urgency for instant gratification, we are often left with an even greater longing for the next thing.

    Religions and philosophies have often referred to this as “A Divine Discontent.” They recognize its gift as a fountain of energy, which prompts us to take the next step towards becoming our full potential. In his book, The Path of Least Resistance, Robert Fritz, compares this process to a rubber band that is stretched back to a point of tension. Within that tension manifest a natural tendency to return to its previous form. According to Fritz this results when the place we’re currently at does not match up to where we desire to be. Therefore, what wells up is a strong urge to resolve it. Within this tension lives an energy, which commonly occurs prior to a major breakthrough or epiphany.

    How does divine discontent play out in the creative process? It rears its face in the initial stages of an idea and then transforms into a sudden urge to bring the vision into fruition. It can be the motivation that drives the artist to return to the sculpture, painting or novel daily. Or it surfaces in the aftermath of its completion as a desire still yet not fulfilled. Once again ignites the birth of another idea.

    In Mark Epstein’s book, Open to Desire he describes this restlessness. He writes, “But allowing oneself to fall into the space that desire cannot span makes the experience complete. The little bit of lack that remains, after even the most satisfying resolution of desire, is a window into something important, something true.”

    Experiencing the Divine Discontent is part of being human and even a natural quality of being an artist. It can drive us to push through moments of creative block and seek out innovative ideas. That said, let us embrace and welcome the presence of our Divine Discontent and let it become a muse that is channeled towards developing a productive artful life.

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